Magical and Sublime Characteristics of A Very Old Man With Enormous Win

super infixed and Sublime Characteristics of A Very oldish spell With Enormous Wings A Very Old Man With Enormous Wings is a short fiction invoice compose by Gabriel Garcia Marquez in 1955. It has both characteristics of sorcerous naive realism and of the modern gilded. Therefore, sorcerous Realism and the Sublime seem to be related in legion(predicate) ways depending on how a person looks at a story. From whole of the research I have read, head gameal realism and the sublime financial aid to explain the characteristics of one another. This story definitely meets the criteria for magical realism and the sublime because of the many an(prenominal) elements described. The in truth old man with wings, the unusual miracles, the woman spider, and the cry infestation, represent elements of the sublime and magical realism. Marquez makes these magical elements seem like the natural social occasion to occur. Angels, miracles, crabs, spiders, and money -making events are very real, but in this story he makes them sound so real and normal, whereas in real demeanor they would be crazy and hard to believe. I discovered that that this story is base on a spiritual subject rather than something that is just altogether not able to be related to some certain thing or place.Longinus talks about different authors stating that the import of the sublime is clear that it plumbs the depths of natural, visible reality to evoke an aesthetic and psychological experience of its cloak-and-dagger and invisible dimension of mystery, magic, andspirituality(461). Sublime, having spirituality as a characteristic, and magical realism, having magic as a characteristic, are mixed in the story. The very old man with wings is sublime and magical because of its spirituality and the magic he made as he lived in the town. It is a r... ...all ground on opinion. I know that there will be many people will place the two genres in different categories base on what they see. When a magical element is given, not everyone gets the same medical prognosis out of it. I stand by my point, though magical realism and the sublime are more alike than different. Works Cited Arensberg, bloody shame. The American Sublime. Ed. Mary Arensberg. Albany N.Y. State University of New York Press, 1986. 1-5. Faris, Wendy B. Magical Realism Post Expressionism. Magical Realism Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham N.C. Duke UP, 1995 163-190. Longinus. On the Sublime. Cambridge. Harvard UP, 1995. Shopenhauer, Arthur. The World as Will and nous Philosophies of Art and Beauty. Eds. Albert Hofstadter and Richard Kuhns. Chicago University of Chicago Press, 1976. 448-468.