Montage in Films and Music Videos Essay -- Film Review, Montage

In the 1920s, artist alike Sergei Eisenstein, Dziga Vertov and Vsevolod Pudovkin started experimenting with the new technique in their abstractfilms which is known as montage. Montage which is a synonym for edit is a technique where two or much shots are juxtaposed which throw a new meaning thatis not existent looking at the shots individually (Manovich, 2001). Few of the early examples of films using this technique are The battlewagon Potemkin(1925) by Eisenstein and Man with a Movie Camera(1929) by Vertov.Montages are wide used in many other(a) TV production areas like Advertisement, Dramas, unexampleds Programs and Music Videos. The Music Videos make excessive use of montages for the vision in theirsongs one of the examples is The Buggles- Video Killed the Radio Star (1971) which was the first medicinal drug video to be shown on television at launch of MTV in 1981. Both Films and Music Videos use different approach towards editing of their shots, which plays a major role in maintaining balance between audio and optical information.The main difference between Hollywood classical films is that they are register while Music Videos are non-narrative in nature. Films present series of upshots in different ways that imply connection between one event and the next. It basically follows the cause-and-effect relationship where one action is the result of another (Manchel, 1990). Editing in films binds the narrative by assembling sequences, layers of imagery, the story, music, effects and the pace to compel the story into a final product.Editing in music videos is done to setup a mood, feeling and emotional state which disconnects the audience from the traditional narrative. on that point may be or may not be a story, but the main focus of music videos is ... ...have already begun to see more as a means to playful firing visual fascination. The ambition of realistic film visual culture and non-narrative montage tradition has begun to breakdown. It is stellar(a) towards hybridization of realistic and stylized editing. Thus at one ingrained there is a montage phenomenon of music video and on the other hand the editing technique of traditional cinema comes together. Montage is no longer a dominant aesthetic according to the new computing machine culture, as it was throughout the twentieth century, from the avant-garde of the 1920s up until postmodernism of the 1980s. New editing techniques like composting has emerged which combines different spaces into a single environment seamlessly creating a virtual space. Compositing is an example of the alternative aesthetics of continuity and it is considered counterpart of montage aesthetics.